Top 11 Moments from Mad As Hell Series 5

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With a great repertoire of characters, an established style, and the best political satire on Australian TV, series 5 of Mad As Hell (not unexpectedly) continued the brilliance of the previous ones. And if the outpouring of grief when the series ended is any indication, most of you agree.

Here’s my list of the top 11 moments which were unique to this series:

Mad as Hell S5E9 Grun on the Telly11. Grun, adviser to Dio Wang (Ep 6) & Glenn Lazerous (Ep 9)
While he first appeared last season, Grun (Francis), an adviser to various members of Palmer United Party, got another chance to share his desire to be on the telly (and not much else). He also filled one gap of awkward silence with an old Micallef Program prop, the roaring dinosaur/alien.

10. House of Dick
With the popularity of House of Hancock, why wouldn’t the ABC want to try their hand at another epic drama? Dick Smith’s (Tosh) rise from electronics reseller to champion of the people, with the associated contradiction between his current causes vs. his original ethics, prompted some Mad As Hell ribbing in Eps 1 & 2. (Watch) (Dick actually later responded to it with a media statement.)

9. Food People, Lower Prices (Ep 9)
As easily as they send up the ridiculousness of Bill’s zingers, Mad As Hell took the topic of supermarket monopolisation through genericised branding and presented it in a similar manner to which the giants claim to “support genuine farmers” – but only if they meet every demand. (Watch)

Mad As Hell S5E5 Jezabell Scream8. Jezabell Scream (Ep 5)
Expertly dissecting Bill’s zingers against Abbott’s stingers, Jezabell (Emily) was a affectionate homage (more so than parody I felt) to Judith Lucy, who’s show was, not coincidentally, the follow on from Mad As Hell. Jezabell also got to turn her opinion to feminism, a slight dig at both Judith’s show and the way the media often handles female comedians. (Watch)

7. Caspar’s Future/TV show
Caspar Jonquil (Tosh), longtime AM radio talkback caller, has been a character since the second season, and his monologues are often the place where the writers one liners all get thrown. To shut Caspar up, Shaun usually has to have a piano dropped on him, but in Ep 6, Caspar managed to escape and we got a glimpse into his future – years hiding alone before a proposal from Spakfilla Vole gave him a heart attack.
But all was not lost, and the following week (Ep 7), Caspar got his own, Bolt Report-style, show: “Right Minded”.

Mas As Hell S5E9 Kevin Spacey6. Frank Underwood/Kevin Spacey impression
Channeling Frank Underwood from House of Cards, Shaun broke the fourth wall a few times after interviewing Dolly Norman (Roz) to deliver a quote directly to us:
“I love that woman. I love her more than sharks love blood.” (Ep 3)
“The [prime minister] is like a lone tree in an empty field – he leans whichever way the wind is blowing.” (Ep 5)
“A Cat likes to play with a Mouse before the killing blow. It’s a metaphor.” (Ep 7)
“Democracy isn’t what these people need. Hell it isn’t even what they want. People don’t want freedom, they want boundaries, rules, protection from invaders and from themselves.” (Ep 9) – that one wasn’t even from House of Cards, it was from the Call of Duty trailer!

Into the Bin!5. “Into the Bin!”
For Micallef fans, we love the subtle references to his previous much-loved works: the Tyrell Corp chair from TAYG, the Micallef Tonight sign, the odd-Milo sighting, the Micallef Program punch lines. And Shaun brought back part of the High Horse segment from Micallef Tonight, to banish a number of things “Into the Bin”: Freedom Crunchola bars (Ep 1), Vanilla Ice’s sampled pool heater (Ep 3) and the cover of Joe Hockey’s tax discussion paper (Ep 10).

Mad As Hell S5E8 Smooth Operator4. Being wooed by Malcolm Turnbull (Ep 8)
Shaun was particularly impressed by Malcolm’s smooth talking in an interview with David Speers on Sky, almost to the level of seduction, but soon realised it was all an act – he is the communications minister after all. But we did get to enjoy a bit of Smooth Operator. (Watch)

Mad As Hell S5E4 Cats of Corfu3. Shaun Micallef’s Other Shows
In a light dig at the ABC’s documentary programs and Shaun’s actual documentary hosting, we were treated to number of possible documentaries to look forward to:

Shaun Micallef’s Boring Pigs of the Southern Balkans (Ep 3)
Shaun Micallef’s The Flying Cats of Corfu (Ep 4)
Shaun Micallef’s Rise of the Machines (Ep 5)
Shaun Micallef’s Borneo’s Pretty Determined Drug-Fuelled Snails (Ep 5)
Shaun Micallef’s The Goldfish of 47 Harrow Road Brompton (Ep 6)
Shaun Micallef’s Aerophobic Flies of the Tierra Del Fuego (Ep 8)
Shaun Micallef’s Rancid Substitutes for the Putrid Stench of the Corpse Flower (Ep 10)

Mad As Hell S5E10 Cheese/Program Shop2. The ABC Program/Cheese Shop (Ep 10)
When Shaun gives treatment to Monty Python, one of his own comedy influences, it’s only good news for us – and the chance to dig at the ABC, its comedy lineup and the lack of budget (which essentially means we only get one series of Mad this year) must have been too good to miss, creating a great fantastic opener to the last episode. (Watch) (Original here)

1. “I’m not a commentator”
Media speak has become a major part of the political discourse, and Mad As Hell was quick to pick up on it, specifically the use of “cynical obfuscation” to confuse the meaning of political policy. This was summed up by spokesperson Draymella Burt (Emily): “What’s important is that people don’t know what you’re talking about so can’t form an opinion. It works with phrases: ‘I’m not going to answer that question you arsehole’, becomes “I’m not a commentator.'” (Ep 3) (Watch)
The commentator line had first been subtly peppered in Ep 2, then with Dolly Norman (Ep 3), Maggie Bathysphere (Ep 4) and Darius (Ep 7) using it as liberally as their real-life political counterparts.

Episode Synopses for Mad as Hell Season 5

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There’s a joke in every nook and cranny of Mad As Hell, and this season continued the tradition of playing with the episode synopses – many of which were themed around a time and a place. For anyone who missed them in the TV guides, on iView or when scrolling through their digital TV listing, here they are:

Episode 1 – February 11th
Auckland, 1978. A young man with the wind in his hair, also nits, dreams of a better life by winning a dusco duncing competution. CAST: Shaun Micallef

Episode 2 – February 18th
Los Angeles, 2057. The future. A cyber-gigolo accused of post-meditated mind-murder travels back in time to 1958 to try and prevent the invention of the hula hoop. CAST: Shaun Micallef

Episode 3 – February 25th
Oklahoma, 1936. Tom, Ma, Pa, Uncle John and their crippled scientist friend Davros enjoy a hearty meal of dust. “Anyone for seconds?” laughs Tom.

Episode 4 – March 4th
Singapore, 1942, just before the fall of the tiny island state (when it was feeling a bit dizzy). A manticore, a chimera and a basilisk walk into a bar and have a quiet drink – nothing to see here.

Episode 5 – March  11th
Tibet, 1957. The Dalai Lama invites you to go rollerblading. If you accept his invitation, turn to Page 34. If you choose to denounce him as a capitalist roader, turn to Page 132. CAST: Shaun Micallef

Episode 6 – March 18th
A janitor accidentally trapped overnight at New York’s Grand Central Station is amazed when the men’s public toilets magically come to life (also the urinal cakes, hand dryers, toilet rolls etc.)

Episode 7 – March 25th
Kyoto, 1999. On the eve of National Udon Day, a love octagon develops between a flatulent geisha, a sumo wrestler, a yakuza flautist, a deaf samurai, a pedantic ninja and three other Japanese stereotypes.

Episode 8 – April 1st
You might think you know all about sugar, but how much do you really know about sugar? Tonight, everything you need to know about sugar – and some things you perhaps didn’t need to know! About sugar.

Episode 9 – April 8th
Drawing on old Super 8 footage, videotape, still photos, eyewitness accounts and police records, a former marine is able to piece together the final moments before his colonoscopy.

Episode 10 – April 15th
Terry’s not like you or me. You see, Terry hears voices in his head. Angry voices. Voices that tell him to kill. (Twist: Terry works in telemarketing and the voices are customers in his headphones.)

Hopeful as Hell for 2016

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Mad As Hell S5E8 Cat HissThere is only two episodes left of this season of Mad As Hell, and sadly, also this year, as the ABC Light Entertainment budget can only stretch so far.

This is slightly strange, when you consider this week, the show was the top rated non-news show on Wednesday across all channels (6th with 782,000 viewers).

The good news is – the whole team and especially Shaun are optimistic about the show returning in 2016, believing it’s in a good rhythm with plenty more steam. So it may soon be on break, but it won’t be gone.

More Stairways Confirmed

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Shaun beside the River GangaShaun’s documentary “Stairway to Heaven: Gods, Gurus and the Ganges”, which aired on SBS last year before Christmas (and was repeated again last week – watch it online) is to become a series.

Artemis (the producers of the series) and SBS have secured funding for another three “Stairway to Heaven” specials, where Shaun will continue on his “quest for the meaning of life, as he immerses himself in the lives of people whose strong beliefs lead them to take extreme measures.”

No word yet on which religions he will immerse in, but we expect the specials will be shot later this year to air in 2016.

This wasn’t entirely unexpected, as Shaun indicated to David Dale of SMH late last year:

The Tribal Mind: Many viewers will be surprised to see you in this, because they’d assume you’re a sceptic, from the way you mock the politicians in Mad As Hell.

Shaun Micallef: It’s something I’m really interested in, which is people’s unquestioning commitment to faith. There are people who have that, and I don’t have that, and I find it a very enviable thing. The premise of what we hope will be a series was to just go off and immerse myself in these communities – seminaries, monasteries, wide open spaces in India – and meet these people and just see what it is that makes them so certain, to go in with an open mind, to not be cynical or even sceptical, to be genuinely curious and just observe.

The difficult thing for me was getting rid of the feeling that I needed to make jokes all the time. If there was going to be any humour there, I should let it occur naturally. It’s got nothing to do with comedy, it’s about life.

TM: I understand you thought about being a priest when you were a teenager. Are you still a Catholic?

SM: Yes, we still celebrate the feast days, we’ve brought our children up in the Catholic Church. If it’s all up to me, I’m in big trouble. There’s got to be some grand architect.

TM: Did the experience of making Stairway To Heaven transform you?

SM: Maybe it didn’t change me, but it gently moved me to look in a different direction. If I’d sorted it all out in one documentary, there wouldn’t be any reason to do another one. I haven’t quite got the answer to the meaning of life yet, but it’s not a bad objective for a TV series.

TM: So if it becomes a series, we can follow your trajectory …

SM: Until I’m a pure beam of energy.

Stephen Hall, man of many talents

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Stephen holding his Brainest Quiz Master award

Not only has he acted on stage, performed in a one-man Indiana Jones show, been a quiz show champion and devised an app, Stephen Hall has both written and acted in Shaun Micallef’s Mad As Hall. He gave me some of his time to chat, and here’s the result:

Me: The last time we spoke, you were a writer on the show (the first series). What was it like transitioning to an acting role?

Stephen: Great! I’d done a few little appearances in the first couple of series, and I was writing, but I didn’t get much stuff through. It was deemed I was better utilised in the cast, and I couldn’t be happier, it’s been fantastic. I’ve been performing longer than I’ve been writing in general, it’s much more fun. It’s much easier in terms of – with writing, as they say, just stare at a blank page and open a vein – you come in and do it, and it’s different and fun every week, and hopefully you do a performance that’s worthy of these brilliant scripts that keep showing up every week.

You’ve got a few recurring characters now, and one that’s made a bit of splash in the media. Is it better to bring out a character repeatedly, or do you enjoy the one-off roles?

Mad As Hell S4E5 Darius HorshamWith Darius Horsham, which is based on an homage to Arnold Schwarzenegger – let’s not deny it – it’s great to come back and do new things with the character and see what other buttons we can push, and people have responded well to it. Even Mathias Cormann has responded well to it, evidently – he quoted the character, although some media would lead you to believe he quoted Schwarzenegger from a Republican Party convention 10 years ago. My money is on him quoting Mad As Hell, which quoted Schwarzenegger from 10 years ago, which in turn quoted a Schwarzenegger  sketch on Saturday Night Live. It’s got a quite a long history. I’m just happy whatever comes my way, and if a character has been well received enough they think it’s worth revisiting, that’s a great compliment. Then again, new ones come along I think “I hope I can make this worthy of being a re-occurring character”. I can’t tell you [when I’m doing a character for the first time] whether it was received well, because I have no perception of how the audience is reacting, because I’m concentrating so hard – I’ll watch it [when it airs] and see it for the first time, which will be interesting.

There’s a lot of content in the lines, you almost need to watch each episode twice to get every second “beat”.

Yes, and some of the lines go on for half-a-page, and that’s part of the joke, that they are so complicated, which can make them very difficult to learn, but it’s always a challenge. You don’t get heaps of time, because you get the scripts on the Friday, Sunday or Monday for the Tuesday recording – it’s a challenge, keeps you on your toes.

I think you and Francis are neck-and-neck on impersonations of Shaun and his characters. Is that something you enjoy, does it just come to you or is it delivered to you (as lines) as a great opportunity?

Mad As Hell S4E1 Tony the AFP OfficerYeah, it’s great. Shaun came up with this AFP officer character Tony, who is a slightly overly enthusiastic fan of Shaun’s, and quote him back to himself in various characters Shaun’s performed over the years, and it’s great fun to be able to do those impressions. One of the great things about the show is it does layer-upon-layer of jokes about itself and of itself. Every type of joke is a good joke, and that’s one of them. I think Shaun enjoys me doing impressions of his characters in the show.

Shaun said that the first time he worked with you was on The Micallef Program, and you played a police officer who arrested the old guy who skipped the draft years ago.

I played one of them, I think there was two of us. I’ve played a few policemen over the years. In Welcher and Welcher I was also a security guard when Shaun had to empty his pockets as he entered the family law court. But, that would have been the first time I guess. Shaun was in the cast and writing on Full Frontal in 96/97, and I was starting out as a writer then. I hadn’t performed with him then, but he did kindly appear on our Channel 31 show way-back-when as a guest, Under Melbourne Tonight, that might have been the first time on camera together. But in The Micallef Program, it was a surprise arrest of a guy from dodging the draft 40 years ago, and we just chased him off the set!

You also have a claim to fame as a quiz show champion – you’ve been involved in so many things!

If you want all the details, you can go to www.howtowingameshows.com. It’s something I’ve been doing for over a year. [The win] was 2005, and that came after originally going on Sale of the Century in 1994, losing and not getting anything, back in 1999, losing and not getting anything at all, then when it was rebooted as Temptation in 2005, I thought “I’ll get it right this time” and I did. It was the culmination of a long persistent, stubborn journey. That was amazing, and it was life changing.

I think I’ve seen the ending of the last episode, and it was nerve wracking, even if you know what happens.

Spoiler alert.

You win. And I love the concept of the app you’ve got, Step-By-Step Story, but I can’t download it because I don’t have an iPhone.

Down the track we’ll be doing an Android app if demand allows for it. It’s a two player game where you write a story, one paragraph at a time. It was a new thing I wanted to do, found out how to do it, hired the people to code it last year. We’re persisting with that, going to keep on tweaking that, as Indy would say: “I’m making it up as I go.” The response so far has been very good. It’s for anyone who dares to believe that writing can be fun, and you can do it collaboratively with someone over long distances.

Collaborative creative writing would be more fun than doing it by yourself, because if you ever get stuck – staring at a blank page – the other person can pick the spark up.

Or you can drop your co-author in it, by killing all the characters – then over to you.

Maybe that explains Game of Thrones. Thanks for talking with us Stephen!

Mad as Hell returns!

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Into the Bin!We’re off and running into the fifth season of Mad as Hell, and already a few nods to the Micallef fans, with a “High Horse” routine sneaking itself into the News from Countries Other Than Australia, with Freedom bars and Coco Pops both going “Into the Bin!”

You may have also spotted his Tyrell Corp Blade Runner chair at the back of the set, which originally appeared in Talkin’ ‘Bout Your Generation.

We’ve got another nine episodes for this year, 8:30pm Wednesdays on ABC. Catch up on iView or it’s repeated Sunday nights.

Edit: It also made the Top 10 ratings for the night, albeit with similar figures as last year. Also, the Herald Sun had a write up of how the first episode came together, including sketches that were cut (and why).

It’s Gary McCaffrie!

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Gary McCaffrie off camera in Shaun's interview with Tony MartinIf you don’t know Gary, he’s the yin to Shaun’s writing yang… or something. It was he who got Shaun into the Full Frontal writers room, eventually taking hold of the show before creating The Micallef P(r)ogram(me) together, and the two have been collaborators ever since. Gary’s not a spotlight kind of person, but I was lucky enough to meet him and he agreed to answer some questions.

Me: I would describe you and Shaun as a partnership, working together on nearly every one of Shaun’s projects.

Gary: Not every one, there’s exceptions. But we’ve worked on a lot of comedy together, because we have a really similar sensibility. In our comedy Venn diagram, the intersecting bits are quite big.

The same comedy loves and influences?

Some of them, not all. Shaun’s more of student of comedy, and he likes a lot of really old comics and a lot of the physical comics from the silent era and the post-silent era. I’m not much of student of that material, I basically start with The Goon Show. We share similar ones, but he’s got a much broader base of comedy influences.

You’ve written for many Australian comedy shows. Is it different writing with Shaun than with others?

We don’t really sit together and write. Even on The Micallef P(r)ogram(me), we would only write about a third of that sitting together at the computer. We both tend to like being on our own and writing something from start to finish. On this show [Mad As Hell], we don’t write together at all, and because of the nature, there’s so much material required each week, it’s more efficient to divide your time individually.

So is the process writing something and seeing if the other one laughs at it?

It is a bit, but our sensibilities are similar. I know how he’s going to deliver the material. Sometimes he’ll tweak it a bit to help his delivery, I just know I’m in safe hands when I write for him. As a writer and not a hands-on producer, that is invaluable. When you’re a writer on Fast Forward or Full Frontal, you have no control, and you just hope that what comes out closely resembles what you originally wrote. With Shaun, he’s got a firm guiding hand over this show, you’re in safe hands.

Is there any comedy program you wish you’d written for? Or any you’ve enjoyed the most?

The Norman Gunston show was very influential on me. I think I recognised the comedy of failure was especially funny. There’s any number of shows I’d like to have written on, but rather than wish I’d written something, I think if I see something of really high quality, it inspires me to write something new and different myself, and push myself in my writing. I think in sketch terms anything you watch when you’re 15-16, like Not The 9 O’Clock News or The Two Ronnies, are going to have a big influence and certainly did on me.

Do you ever hold onto unused sketch ideas? Something that might not work at the time, but maybe want to bring back later?

Always. Nothing’s ever wasted, a mantra we both hold dear I think. Something that’s written but doesn’t quite work, there will be something salvageable in it. I think we both have a massive amount of material [in a bottom desk drawer] that will be mined at some stage, maybe for a line or a character. Nothing goes to waste.

Famously you didn’t want David McGhan to return to The Micallef P(r)ogram(me) as Dr Miracle. Are there things you still disagree about with Shaun?

That got blown a little out [of proportion], as if I hated David McGhan.

Were you tired of him maybe?

Yes, that’s right. Dr Miracle was presented as a bit of a fait-accompli on that show. Shaun had written these massive pieces and I said “these are a bit long for the show”, and he said “they’ll be alright.” And next thing I knew, they’d built the sets. Absolutely, there are pieces that I say “I’m not so sure about this”, and he takes that into account. He wants my opinion on something, but he has to take a broader view and goes to the edits and sees that we need something different for a change of pace [in the show] – I’m not taking that into account when I’m giving my feedback. I don’t get involved in the editing on this show. But we certainly have areas where we differ in taste, like two people will do. But like the Venn diagram I mentioned earlier, there’s a big area of intersection, and even in the areas where we might not agree, we know why we don’t agree and can almost predict it, and therefore accept it.

Thanks Gary, we’re glad that most the time you do!

Mad As Hell, back February 11th

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It’s official – Shaun Micallef’s Mad As Hell is confirmed to return for its fifth season on Wednesday February 11th on ABC. This time, it’s shifted back half and hour, to 8:30pm.

The team really hit their stride last year, so expect more comedy gold, although Veronica has moved to a full time role on Triple J, so there may be a new cast member.

This will be the only season for 2015, with Shaun working on “The Ex-PM” later in the year. We’re yet to see what the future will hold after that.

Danger, Danger!

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Since it first premiered in 2012, Danger 5 has become a bit of a cult classic – a 60’s style spy series anachronistically set during World War II, with a team of agents from across the globe working together to stop the Nazis and kill Hitler. The show is a pastiche of dubbed Japanese adventure dramas, such as Monkey, and spy series, such as Thunderbirds (with a dash of Get Smart). You can watch the prequel episode on YouTube.

Shaun was a big fan of the first series calling it “the funniest thing I’d seen in 10 years on TV”, even writing to the creators to express his enjoyment. So when series 2 was commissioned, the team jumped at the opportunity to get Shaun involved. This time, it’s the 80’s, and Hitler is back for vengeance. Shaun will play dual roles as a school teacher and a bald-headed Nazi, and will appear in more than one episode.

Season 2 of Danger 5 starts on SBS2 on January 4th at 9:30pm.